Working on a NES game you are treading in the footsteps of programmers from the 80's, and going back to modern development feels strangely bloated and inefficient in comparison. This is a log of some of the things I've encountered writing game code for the What Remains project.
Last week we launched our Sonic Kayaks for the first time at the British Science Festival in Swansea. Sonic Kayaks are scientific instruments for citizen-led marine microclimate data collection, as well as musical instruments for expanding our senses allowing exploration of the underwater environment in real-time through sound. The installation ran over two days, and was fully booked with 64 participants. This post forms our documentation of the practical lessons …
A run through of physical models made from voxel data obtained from LiDAR flights through cities.
We have been notified of a particular place of interest within the data, this being in Luton – it feels good to have a central place of significance to work on now. The area is about 520msq, made up of four voxel ’tiles’, so I spent some time bringing other parts of the project up to date with that. Alas, four delicious cross section scans:
After rendering voxel data in Minecraft Pi, the next logical (and exciting) step was to export the blocks as a 3D file ready for 3D printing. Jo is the master of all things 3D and tangible, so I have been very excited to send this off to her – after a day of dallying around, we are definitely closer to that goal.
So far in the ‘play’ stage of the project, I have rendered wonderful little sections of Milton Keynes in Fluxus with both practical and slightly more esoteric outcomes – firstly, we have a script that outputs .OBJ files using small sections of data, which can be used for both digital and tangible modelling (such as 3D printing). That’s the practical part. The latter made the primitive object performance ready, which …
Following on from previous Voxel Debut, it seemed a good idea to visualise the data using Fluxus, as a newbie to live coding visuals. Before this stint, I had never really worked with 3D and animation, so thinking this way has been an entirely new concept to me, alongside learning Fluxus (& Scheme, in general). With a couple of Algoraves coming up this week, an incubated week of intense livecoding …
Recently, we were approached by Dr Karen Anderson of the University of Exeter to visualise voxel data of Bedford, Luton and Milton Keynes. A natural place to start with the data would have been to interpret it in Python and recreate the cities in Minecraft, so of course I became distracted and found myself being led down a different, more Fluxus/3D/performative inspired path. However, the first port of call was …
Here is a bit of a writeup of the gubbins going into the sonic kayaks project. We only have a few weeks to go until the kayaks' maiden voyages at the British Science Festival, so we are ramping things up, with a week of intense testing and production last week with Kirsty Kemp, Kaffe Matthews and Chris Yesson joining us at FoAM Kernow. You can read Amber's report on …
We now have the full system working, with temperature sensors and a hydrophone logging and sonifying underwater data in real-time to the paddler. This lab session was to design the final build and sonification elements.
We're working on two sonification projects at FoAM Kernow - Red King and Sonic Kayaks - so have started looking into how we can get the most out of sonification for citizen science.
Cricket Tales is an ambitious citizen science project. 438 days of CCTV footage from the Wild Crickets Research group - the only record of wild behaviour of insects of it's kind. It turns out that insects have more complex lives and individuality than we thought, and the game is a way of helping uncover this more precisely. For Foam Kernow, this was also a significant project as the biggest …
For our new project "what remains", we're regrouping the Naked on Pluto team to build a game about climate change. In the spirit of the medium being the message, we're interested in long term thinking as well as recycling e-waste - so in keeping with a lot of our work, we are unraveling the threads of technology. The game will run on the NES/Famicom console, which was originally released …
Swarm was an event organised by Field Notes at The Exchange Gallery in Penzance on the 23rd of April, bringing together artists from Cornwall and Devon, the day populated with events and networking and musings alongside installations and talks by local artist groups, such as Keiken Collective, Back Lane West and Howl Projects, amongst others. Medium Rare contracted us to bring their visions of open art discourse to life, and …
We've started a new project called the Red King. Researchers have developed models of host and parasite evolution, and are interested in what conditions need to be met for diversity in host and pathogen types to arise. Originally we were asked to make an educational game for outreach purposes – but it's much more interesting if we can make this a two-way exchange. We're looking at whether we can use …
A streamed slub livecoding performance from FoAM Kernow, Penryn to source2016 at NYU, 35 w4th st, Manhattan.
I've tried a lot of different ways of teaching children programming, starting a few years ago with primary school children in a classroom, then doing inset training days for teachers and finally private tutoring in homes. For the finale to the weavingcodes project we are trying a new approach, teaching families about code, robotics and thread by building "tanglebots".
This week we welcomed sound artist Kaffe Matthews and marine researcher Dr. Kirsty Kemp to FoAM Kernow to begin our exploration into Sonic Kayaks, as part of an open hacklab.
The Sonic Kayak project has evolved from the Bicrophonic Research Institute (BRI), established by Kaffe Matthews and David Griffiths in 2014. Through ten years of international projects the BRI has developed the Sonic Bike whose music changes depending on …
As the egglab camouflage experiment continues, here are some recent examples after 40 or so generations. If you want to take part in a newer experiment, we are currently seeing if a similar approach can evolving motion dazzle camouflage in Dazzle Bug. Each population of eggs is being evolved against a lot of background images, so it's interesting to see the different strategies in use - it seems like …
When I first started working on the Sonic Bikes project with Kaffe Matthews in 2013 I had just moved to Cornwall, and I used the Penryn river for developing "The swamp that was" installation we made for Ghent. We've always talked about bringing this project here, but the various limitations of cycling (fast roads, stupid drivers and ridiculous hills) were always too much of a problem - so we wondered …